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Dripping Sea

2025

Matsu Biennial
 

A sound installation realized in Jingsha, Nangan, Matsu—the fishing village closest to mainland China, where military history and everyday life remain intertwined. Under the red-tiled roofs, soldiers and residents once coexisted, sharing the muted resonance of waves against the cliffs, where “home” carried both familial and national meanings. In this work, copper rods strike traditional Min-Dong roof tiles, echoing with the rain-like rhythm of the sea. The installation probes ideas of homeland, defense, and shelter, while resonating with the site itself. Through the imagery and sound of red tiles, metaphors of “home,” “roots,” and “protection” are reawakened, reflecting Matsu’s cultural dialectics of war and daily existence, distance and nearness.

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