©2016-2019 Leung Mee Ping Studio. All rights reserved.
  • 潛行夢空間---漫遊百科第六集。香港電台.July 30, 2016. www.knz.eTVonline.hk/2016/

  • phtv.ifeng.com.program/grzi/凰凰衛視

  • Eddie, Cheng. 《冷靜與熱情之間-訪香港藝術家梁美萍-也談-展銷場-中國製造》, 立場https://www.thestandnews.com/art/ (1 July, 2015)

  • 小米:以小小髮履《回憶未來》。Delta Zhi. #48, p12-15. (May, 2015) http://www.opengroundblog.com/home/2015/3/11/-thoughts-things-03

  • Ellen, Larson. 形象思维 | THOUGHTS & THINGS | 03 (11 Mar, 2015)

  • Lisa, Park. Capturing the Stars Beyond City’s Orange Clouds in Fleeting Light. 《在城市的彩雲背後尋星》, 流光曳影Hong  Kong: Hong Kong Art Development Council. P34-39. (Mar, 2015).

  • Lai, Victor &Man, Eva.《與香港藝術家對話:1980-2014》Hong Kong: Joint Publishing (HK) Co.ltd. p211-212 (Feb 2015)

  • Chan, Viennes. Art Inspiration. Hong Kong Radio. 30”香港電台 《好想藝術》 (23 Oct, 2014) http://podcast.rthk.hk/podcast/item_epi.php?pid=359&lang=zh-CN&id=48381

  • Fok, Silvia. “Leung Mee Ping, Memoryise the Future, 1998-2002”, in Life & Death: Art and the Body in Contemporary Art.USA: Intellect, The University of Chicago Press. P.170. (2013)

  • Valerie C. Doran. “Floating Signs and Fragile Monuments—Leung Mee-ping’s I Miss Fanta (and Other Associations)”, in MobieM+---Yau Ma Tei. M+, West Kowloon Cultural District Authority. Pp116-132. (May 2012)

  • Pang, Lai-kwan.  “Imitation or Appropriation Arts”, in China’s Creative Industries and Intellectual Property Rights Offenses. Duke University. Chapter 9, (Jan 2012)

  • Bonne Lee. 香港地軸轉移 (17 Jul, 2008) http://bonolee.spaces.live.com/blog/cns!75548FB25FE30F7D!439.entry

  • Di’an, Fan. .Live From Zhang Jiang—City I Progress from Zhang Jiang. 現場張江--城市進行式.Shanghai:Zhang Jiang Art Museum. P42-45.( 2007)

  • Wallis. Fenster auf-et voila, Swiss. (14/11/06)

  • Leung Po Shan.《髮語》─谷文達的舉輕若重與梁美萍的舉重若輕(定稿) (8/14/2006) http://motat.blogsot.com. www.inmediahk.net

  • Binghui Huangfu.  Extract from ‘Soft Power - Confession’ , Artlink, vol.27, no.4, (2006)

  • Li Xianting. “Same Culture, Different Nature / Same culture, Same Nature”, in Past in Reverse: Contemporary Art of East Asia Catalogue. US: San Diego Museum of Art, p30. (2006)

  • Contemporary Chinese Art, MUS Museums, National University of Singapore, catalogue, p128-143. (Aug, 2004)

  • Leung, Mee Ping’s World, 5”, TV of Spain, Spain (May, 2004)

  • Mio Iwakiri. Leading Contemporary Artist in the World. Bijutsu Techo, Japan (Jun, 2004)

  • Artist in The Neighborhood Scheme. Interview, 10”. Leisure and Cultural Service Department, Hong Kong. (Feb, 2004)

  • Central Conservation Laboratory (Dec, 2003).   http://www.slidebay.com/gb_comments.php?id=40_0_3_0_C

  • Asia Art Now, Art AsiaPacific, #37 p59. (Jan, 2003)

  • Over Here & There, catalogue, by M.A. Greenstein, USA (Jan, 2002)

  • Ken Lum & Ho Yeung Chan. Asia World’s City, by, Flash Art #203 p91. (Mar, 2002)

  • Hou Hanru. The City and the Artists. Flash Art # 203 p95. (Mar, 2002)

  • Man Lit Wah. Looking at the Life of Outcast. Leaflet of Memorize the Future. (Apr, 2002)

  • Lau Kin Wah For the Future Memory—Greyish Human Testaments of Truth. Leaflet of Memorize the Future. (Apr, 2002)

  • Interview, video 5’.Hong Kong Art Museum (Jan, 2002)

  • Nick Waterlow. Reflections of Text & Subtext in catalogue of Text & Subtext in Australia. (Jan, 2001)